Entry tags:
(no subject)
WHO: Jimmy and company
WHEN: December
WHERE: Inn and out
WHAT: Catch-all (just closed starters for nowbut more are coming! this was a lie)
WARNINGS: NONE YET

[ Hit me up here to plot something specific (PM and disco also good if you wanna get really intense)! Otherwise you can expect more of Jimmy's stupid bullshit + Christmas festivities. ]
WHEN: December
WHERE: Inn and out
WHAT: Catch-all (just closed starters for now
WARNINGS: NONE YET

[ Hit me up here to plot something specific (PM and disco also good if you wanna get really intense)! Otherwise you can expect more of Jimmy's stupid bullshit + Christmas festivities. ]
for marcos
The cellar's so big it's more of a cave. Jimmy skips the racks of wine closest to the entrance, feeling like an explorer on the hunt for dusty, expensive vintages, examining the labels tied to each bottle with loops of string. He's returning a bottle to its berth when, in a gust of cold air that seems to run right through him, his lantern goes out.
A pause. A sigh. Then, taking full advantage of the cellar's acoustics, Jimmy lets out a groan. ] Really? [ He has no reason to believe anyone can hear him, no reason to think entities of the spectral persuasion are involved—other than the fact that he can't go three feet without bumping into one—but it's a big empty room. A wine-lined abyss to yell into. ] Can't a guy drink something besides tea? [ He waits, even though it's stupid. Stands there in the dark listening for eerie laughter or death rattles, or, who knows, some dead snob who's gonna lecture him about his taste in wine.
Nothing.
It's not until he feels for a bottle that the rasp of metal, the sound of a lock wrenching shut, echoes through the room. ]
no subject
He was aware of the other man from the moment he stepped down there. The voice is only passingly familiar, in the way he thinks he's heard him around enough to know that he's with their group. It isn't until his lantern goes out that he decides to lend a hand.
Once he's close, the darkness is cut with a brightness that might appear more like a flashlight if someone didn't take a better look at how he's holding up his glowing palm. Hoping not to startle him into dropping something, he tries to sound as non-threatening as possible when he breaks the quiet. ]
Find anything good?
no subject
The question—asked with what sounds like a normal, human voice—meets with a pause. Embarrassed, scared? Time will tell. He shrinks in on himself, even holding his breath until he starts feeling self-conscious about it. Eventually, though, his voice sounding rickety and lonesome: ] If you tell me to go into the light I'm gonna have to, uh, respectfully decline.
no subject
He pulls back his powers until there's only a dim glow emitting from his hand. Just enough that he can still see him when he gets closer. ]
Hey, hey. You're fine. It's not that kind of light. [ Although in hindsight, it's telling that he knows that expression. ] ...I'm here for the same reason you are. I think we could all use something to take the edge off. What do you say?
no subject
[ While his mouth's going, Jimmy creeps out into the open. He realizes his hands are up. He puts them down, and wheezes out a laugh. ] Hi. Hey. I don't have my watch thing but I'm with the group. Bona fide.
no subject
I've seen you around. Name's Marcos. [ He gives him a disarming smile. ] I'm not an axe murderer. And I've got a girlfriend, but she's back upstairs. Thought I'd see if I could surprise her.
[ By stealing alcohol from a spooky cellar. It seemed mildly romantic at the time. ]
What about you?
for lu
But that's been in the halls, at meals. He hasn't gotten close enough to actually speak to her until today, standing at a window looking out over the garden. It's early, which means three cultists are scurrying around replenishing and rearranging seeds and nuts displaced during the night. Jimmy doesn't beckon her over—there are limits to his lack of subtlety—but he'll make room if she shows any interest.
He points at a complicated diamond pattern composed of rows of alternating bulbs. ] I think I've seen that before. [ A pause. ] Yeah, I definitely have socks like that.
no subject
"I do worry though, because they're doing a lovely job, really they are, but there's a couple of copy-errors. If they really want it to work, there's a couple of things they could adjust."
no subject
Is she fucking with him? Is he being fucked with?
“Oh, yeah, I'm on the cutting edge,” he says vaguely. The cutting edge of bad taste, according to critics and detractors. But it's the second part that really grabs him—he unsticks his gaze from her to lean forward, almost out the window. “So, let me get this straight.” He hauls his torso back in, his cheeks flushed from the cold. He looks troubled. His face isn't suited to it. “You're saying the difference between all this and”—he balls a hand up, holding it in front of his mouth, then lets the fist dissipate with a puff of air—“is...”